Showing posts with label Cats. Show all posts
Showing posts with label Cats. Show all posts

Sunday, June 30, 2013

Why Do We Hate it When the Dog (or Cat or Horse) Dies?



Why is it that so many readers are particularly upset when an animal dies in a story? And I'm not talking about partially anthropomorphized animals in stories where the animals are actual pov or focal characters, though these deaths can be upsetting too. I'm talking about the death of realistically portrayed pet, working or companion animals.

Probably one of the most famous examples is Fred Gipson's Old Yeller, which was adapted into a Disney movie. I hope this is not a spoiler for anyone, but at the climax of the story, the protagonist Travis must put his beloved dog down because Yeller saved the family from a rabid wolf, thus exposing himself to the fatal and highly dangerous disease. This sacrifice is what transforms the boy into a man, but even though it was a necessary loss to make the coming of age arc complete for Travis, I always found it terribly upsetting, as if there was a complete lack of narrative justice. There are plenty of other stories that follow this same basic premise. There are also a number of lighter-hearted tales where an animal passes away after living a long and full life. This is less unsettling, perhaps, but I still have a hell of a time not crying  when I reach the end of a book such as John Grogan's Marley and Me, which was also made into a successful movie.

On a different note, there are also a lot of stories where the bond with, and ultimate loss of an animal is not the point of the story, but animal carnage still ensues. To a certain extent, this is realistic. When a man is fighting in a war, the last thing you can logically expect him to worry about is whether or not he has to shoot some horses out from under the charging enemy. Yet I still find myself being annoyed when this happens, especially if the character who does this doesn't experience any stress or conflict. We live in a world where most of us still use animals for food (and medical research, which even the strictest vegans benefit from) and where we kill millions of dogs, cats and horses every year because there are no homes for them. So it does seem strange, even hypocritical, for me to be annoyed with the protagonist in a book like Brandon Sanderson's excellent Mistborn trilogy when she [spoiler alert here--am changing font color to white so anyone who does not want to read this can skip it and anyone who does can highlight the text to read]

purchases and kills a dog so that her shape shifter servant can steal its body instead of occupying a human corpse. Honestly, as gruesome as animating an already-dead human corpse, I found the prospect of killing a dog worse.

But logical or not, my own emotional response seems to be fairly common. I even know a number of people who swear they'll put a book down or refuse to read it at all if they know this is going to occur.

In fact, that there's a web site for movie fans called "Does the Dog Die," which lists hundreds of movies where an animal or animals feature prominently in the plot. It's a three tiered rating system: a crying doggie symbol for movies where a pet dies; a worried doggie for movies where a pet is injured or appears to be dead, but ultimately lives; and a happy doggie for movies where the pet/pets all live.

I'm not a psychologist, so I'm not absolutely sure why the death of animals in books and movies is so upsetting to so many people. I'm guessing that several factors may be at work here.

1. The phenomenon of triggering. In its usual sense, this is used to when a real life or fictitious event triggers traumatic flashbacks in vulnerable people (such as people who suffer from PTSD). Though I doubt most people experience anything akin to traumatic flashbacks when they read about a pet dying, most animal lovers have experienced the grief of losing an animal companion at least a few times in their life. For many of us, the loss of an animal friend was the first significant loss we experienced as a child or young adult, and it's one we know we will experience again. I can only know about myself for sure, but for some reason, I empathize more with a character who loses an animal, or even with the animal itself, than I do with one who loses a spouse, sibling, parent or friend. I'm not sure why, because the loss of my own father was devastating. But for whatever reason, the way fathers usually die in books and movies does not "remind" me of my own loss in the same way.

2. Animals are often child surrogates. We're supposed to care for them and protect them. This doesn't mean that most of us think animals are more important than children. If I had to choose between saving my dog or cat from a burning building and some strange child I didn't know at all, I'd save the child. But I'd still mourn the dog or cat deeply and probably feel a great deal of guilt. Why? Because my animal friends rely on me and trust me to care for them and protect them. Allowing an animal to die, particularly one I'm invested in emotionally, feels like a violation of that trust. I've lost several animals in my life, and some have passed prematurely. But only one died in a manner that could be termed accidental (one of my childhood cats, Lyle, was poisoned). Decades later, it is this loss that still haunts me the most.

3. Animals are innocent. Like children again, they are uncomprehending victims of the choices humans/grown ups make. Their death often lacks any sense of narrative justice.

4. For the above reasons, their deaths often feel milked or set up, as if the author or director was  intentionally creating conflict, tension or pathos by killing or threatening an animal. Even when you see it coming as a reader, or perhaps, especially if you see it coming, you may resent it, or just find it really anxiety provoking.. I remember that when I watched the movie Alien, some of the tension I felt was worry over whether or not Jones the cat would survive.

There are probably other reasons why the death of animals (particularly ones we think of as companions or pets) is so upsetting in fiction. If anyone else has any ideas about this, I'd love to hear your comments. Are there any books or movies where the death of an animal was especially emotionally moving or evocative for you (in either a good or bad way).



                       Simon: our own Old Yeller look alike, though he lived a much longer life.
                                            Astra: even after 17 years, her loss was a blow.
                                                        Oscar: a superb cat, taken too soon.

Friday, October 26, 2012

Cats and Writing



It's no secret that many famous writers were and are fond of cats. Sites such as this one (http://www.buzzfeed.com/summeranne/30-renowned-authors-inspired-by-cats) are only scratching the surface. I assume writers (famous and otherwise) often like cats because, like them, we tend to be independent creatures. And their soothing, undemanding company can be very inspiring to the creative process.

I'm a night person by nature, and tend to do a lot of my writing in the wee hours, after most of the world (and most of its distractions) are safely tucked away for the night. There's a definite changing of the guard that occurs around the time my husband goes to bed each night (sometime between 11-12 usually). The dogs go to bed with him, and the cats, who have been sleeping for most of the day and evening, become active.

Leo, Oberon and Merlin usually announce their presence by using one of the litter boxes. I won't elaborate, but this generally requires me to don a gas mask and scoop the thing so I can go back to work. Okay, stinky cat bombs are not inspiring, unless I'm writing about miasmatic clouds or noisome dungeons.

After emptying their intestinal tracts, the boys will proceed to gallop in circles for a while. Oberon is a tiny little thing (8 pounds dripping wet), but Merlin and Leo are much more amply proportioned (14.5 and 16.5 pounds, respectively). When they get to playing, it sounds like a chorus line of hippos are performing in the hallway outside my study. It's not too hard to tune it out, unless something smashes to the floor  in the kitchen, or one of them decides to leap up into the window behind my desk. Leo, in particular, has been known to come crashing down onto my keyboard when he does this.

Leo awakening

Merlin's a bit too large for the bathroom sink

Oberon thinks it would be incredibly rude for me to actually print anything.
Sometime around 1 AM or so, they start demanding their late-night snack. This consists of a few kibbles, dutifully doled out sometime before my own bedtime. This (theoretically) prevents the cats from waking us too early in the morning.

Recently, I discovered that the cats have an even better scam going than we thought. Doug has informed me that he always gives the cats their pre-bedtime snack before he goes to bed in the evening. So their innocent, wide-eyed assertions of hunger a couple of hours later is ... somewhat exaggerated. This explains why Leo's girth is not decreasing, in spite of our cutting back on the size of their portions.

I have tried to cut out this second "bedtime snack," but Leo now expects it. If I haven't scooped the kibble into his bowl by 2 AM, he starts rearing up and patting me on the wrist. If this fails to get my attention, he'll bite me sharply on the ankle. I've taken to keeping a squirt bottle by the computer.

This continues until I run out of steam by around 3 AM and fall into an exhausted sleep (occasionally interrupted by one or another large, furry presence on my pillow). There's no question that my writing would be far less productive without "the boys."